It is the year 2027, eight years after the first outbreak of The Sickness, a highly contagious, adaptive and lethal virus. The world is now run by a pharmaceutical corporation called The Company, which distributes a treatment for the virus but charges a high price for it, putting the majority of people in a state of poverty and dependence.
Summer of 1945. A temporary orphanage is established in an abandoned palace surrounded by forests for the eight children liberated from the Gross-Rosen camp. Hanka, also a former inmate, becomes their guardian. After the atrocities of the camp, the protagonists slowly begin to regain what is left of their childhood but the horror returns quickly. Camp Alsatians roam the forests around. Released by the SS earlier on, they have gone feral and are starving. Looking for food they besiege the palace. The children are terrified and their camp survival instinct is triggered.
In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him. The response of the Chilean army is devastating.
A rookie cop joins the crime branch of the Mumbai police department, and on his first assignment is faced with the dilemma of whether he should shoot a murder suspect who is attempting to escape or not.
When professional mountain biker Paul Basagoitia suffers a devastating spinal cord injury (SCI), his life is changed in an instant. Discovering that he’s become paralyzed, Paul begins a grueling battle against his own body and mind, in the hope of one day being able to walk again. A chorus of other diverse SCI survivors weaves through the film, shining light on the struggles that Paul now faces.
When Sue’s cousin Genelva visits her from Suriname, they go out to a fancy club with Sue’s two best friends. After having an unpleasant encounter with the club’s bouncer at the door, the course of their night changes completely.
Ethiopian Daniel Hoek has no doubt in his mind that if his Dutch father had not abandoned him he would never have turned to crime. His Dutch father, Joop Hoek, has no doubt in his mind that if his Dutch-Indonesian father had not abandoned him he would have grown up to be a different person. In The Bastard two separate stories of an adult child and an elderly father are inextricably intertwined. Together they tell a harrowing tale about fate and DNA and about how the lack of a father influenced these lives.
Coco has no idea what to do with her life until she discovers her mother is terminally ill. She wholeheartedly embraces this new purpose in life and moves in with her mother to take care of her, ignoring their distant relationship, as well as her mother’s desire to die alone.
Desmond Doyle is devastated when his wife abandons their family on the day after Christmas. His unemployment and the fact that there is no woman in the house to care for the children, Evelyn, Dermot and Maurice, make it clear to the authorities that his is an untenable situation. The Catholic Church and the Irish courts decide to put the Doyle children into Church-run orphanages.
When a heavily traumatised girl of African origin is found wandering around the polders of the border region between Flanders and the Netherlands, Tara, a Dutch police inspector from Rotterdam, and Bert, a psychiatrist from Antwerp, begin to investigate.
Jade is a young mother in the prime of her life when an acid attack leaves her severely burned. While her face has been reconstructed, her beauty is lost beneath the scars. Descending a self-destructive path with relationships crumbling, Jade must take drastic action to reclaim her life.
In the Donbas, a region of Eastern Ukraine, a hybrid war takes place, involving an open armed conflict alongside killings and robberies on a mass scale perpetrated by separatist gangs. In the Donbass, war is called peace, propaganda is uttered as truth and hatred is declared to be love. A journey through the Donbas unfolds as a chain of curious adventures, where the grotesque and drama are as intertwined as life and death. This is not a tale of one region, one country or one political system. It is about a world, lost in post-truth and fake identities. It is about each and every one of us.
Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety.
During a scorching summer in a Belgian-Dutch border village, eight teenagers play games of discovery to break the listless monotony. They challenge each other and themselves and pretty soon, their sexual curiosity starts to blur the lines between right and wrong. As innocence is crushed in depraved games and sexual exploitation, the teenagers soon turn into ruthless predators.
You can’t help missing an outsider in the small Scottish town of Forres. And that while Bodkin Ras wants to keep his head down, because he’s on the run. In this mixture of fiction and documentary, Sohrab Bayat, who plays the title role, is the only actor. The other characters are inhabitants of Forres, who play themselves and whose striking life stories are incorporated into the script. The boundaries between reality and fiction fade and this gives the film a special atmosphere.
Seeking justice for his partner’s murder by an ISIS member, a Copenhagen police officer finds himself caught in a cat and mouse game with a duplicitous CIA agent who is using the killer as a pawn to trap other ISIS members.
The border between Brazil and Paraguay: living on opposite sides of a big river, Brazilian boy Joca falls in love with indigenous-Paraguayan girl Basano. A magical tale of impossible love and adventure in this land full of memories of colonial wars and indigenous genocide.
Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.
Cassette inventor Lou Ottens digs through his past to figure out why the audiotape won’t die. Rock veterans join a legion of young bands releasing music on tape to push Lou along on his journey to remember.
After losing her parents and being left by her boyfriend, Bubblegum Teddybear moves from Kansas to Albuquerque, New Mexico. She rejects the dating life and lives in a ghost world, where she is fully aware that her life is a movie. Bubblegum is familiar with cinematic structure and tries to make problems for herself so that her movie can have a happy ending. Despite her best efforts, love follows her and pushes her genre ever closer to tragedy.
It’s 1992. Young Dina lives in a remote mountain village where life is strictly governed by centuries of tradition. Dina’s grandfather has promised her to David, who is returning from the war. But with him comes a comrade-in-arms, the handsome Gegi, and Dina falls in love. Is it possible to defy the firmly established order?
A successful lawyer finds out that she has a half-brother who is imprisoned in a secure hospital after he brutally murdered his neighbor and their baby.
Stephen Hawking has warned that the creation of powerful artificial intelligence will be “either the best, or the worst thing, ever to happen to humanity”. Inspired by Brian Christian’s study The Most Human Human: What Artificial Intelligence Teaches Us About Being Alive, the filmmakers set out on an international investigation highlighting the effects of AI – scenes from our daily lives destructive and constructive.
Stupid Young Heart is a story about the first love of lightly built, carefree Lenni and gorgeous and popular Kiira. Not yet even properly in a relationship, they discover that they are expecting a baby, and decide to keep it – partly as a statement to their families who have lost touch with what goes on in the teenagers’ lives. Lenni then has nine months to become a man. Having grown up without a father figure, Lenni receives some yearned for adult attention from an unlikely friend; 40-year old Janne, a member of a right wing activist group. After taking part in a scrambled attack on a local Mosque, while Kiira is rushed to the hospital to give birth, Lenni realises that he can be a man in his own way, even if he never had a chance to be a child himself.