The year is 1988. It is 35 years after the events of Fred Schepisi’s classic film, The Devil’s Playground. Tom Allen, now in his 40s and recently widowed, is a respected Sydney psychiatrist and father of two children. A practicing Catholic, Tom accepts an offer by the Bishop of Sydney to become a counselor of priests. During these sessions, he will uncover a scandal and become embroiled in the Church’s attempts to cover it up. Tom’s quest for justice will push him to his limits, and reveal a side of Church power and official corruption he could never have imagined.
Detectives Tori Lustigman and Nick Manning are assigned a brutal murder case in Bondi, where they begin to uncover mounting evidence to suggest the killing is connected to a spate of unexplained deaths, “suicides” and disappearances throughout the 80s and 90s. Haunted by the disappearance of her teenage brother, Tori’s fascination with the case soon turns to fixation. When more ritualistic murders occur with the same bizarre signature, Tori and Nick will need to put their relationships, their careers and their lives on the line to finally reveal the truth.
When their ship crash-lands on a remote planet, the marooned passengers soon learn that escaped convict Riddick isn’t the only thing they have to fear. Deadly creatures lurk in the shadows, waiting to attack in the dark, and the planet is rapidly plunging into the utter blackness of a total eclipse. With the body count rising, the doomed survivors are forced to turn to Riddick with his eerie eyes to guide them through the darkness to safety. With time running out, there’s only one rule: Stay in the light.
A powerful drama relating the intimate aspect of teenage boys and their priest/educators behind the walls of a religious institution where rigid discipline backfires natural feelings are deemed unnatural acts and human lives are controlled in the names of good intentions.